Velvety Wane Rose

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Old English wanian, to lessen. As a color modifier, wane implies a waning-moon-and-fading quality, the visual register of waning-moon-and-late-summer gradually-diminishing-and-receding waning-and-fading celestial-body-and-seasonal-light surfaces under waning-and-receding lunar-and-seasonal light. Sits at the modifier-and-time end of the grid, parallel to phase and eld in usage.

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.