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Iridescent Sanded Peridot

#abc91d
Notes

Iridescent Sanded Peridot (#ABC91D) is a true yellow with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (70°, 75%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#abc91d
RGB
rgb(171, 201, 29)
HSL
hsl(70, 75%, 45%)
HWB
hwb(70 11% 21%)
OKLCH
oklch(78.6% 0.180 120.2)
P3
color(display-p3 0.6934 0.7847 0.2727)
HSV
hsv(70, 86%, 79%)
LAB
lab(76.39% -30.19 72.44)
LCH
lch(76.39% 78.48 112.63)
CMYK
cmyk(15%, 0%, 86%, 21%)

Etymology

Iridescent
adjective

Latin Īris, rainbow — adjectival suffix -escent, named for the Greek goddess of the rainbow. As a color modifier, iridescent implies a saturated-and-multi-spectrum-shifting quality, the bright color of peacock-feather-and-soap-bubble structurally-colored-and-thin-film optical-interference patterns. Sits at the bright-and-shifting end of the grid, parallel to prismatic and holographic in usage.

Sanded
modifier

Old English sandian, to-sand. As a color modifier, sanded implies a hand-sanded-and-smoothed-wood quality, the visual register of Shaker-and-Mid-Century-Modern-sanded hand-sanded-and-smoothed-and-finished wood-and-stone-and-metal Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed surfaces under Shaker-and-Mid-Century-Modern hand-sanded-and-smoothed workshop-light. Sits at the modifier-and-texture end of the grid, parallel to honed and buffed in usage.

Peridot
noun

The transparent green variety of olivine — the gem mined from Egyptian Zabargad Island since pharaonic times and now from arid mountain ranges in Pakistan, Arizona, and Vietnam. The color refers to a faceted peridot: a clean, slightly yellow-shifted green with the gem's signature internal warmth. Lighter than emerald, brighter than olivine in its rough state, with the unusual gem-trade quality of being one of the few minerals that occurs in only one color.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#abc91d
Original
#d6bd00
Protanopia
#d3bd32
Deuteranopia
#b5beab
Tritanopia
#b6b6b6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.89:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
11.10:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##ABC91D
Display P3
Display P3
color(display-p3 0.6934 0.7847 0.2727)
P3 has visible headroomOKLCH chroma 0.180

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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