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Ostentatious Limu

#abbc19
Notes

Ostentatious Limu (#ABBC19) is a true yellow with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (66°, 77%, 42%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#abbc19
RGB
rgb(171, 188, 25)
HSL
hsl(66, 77%, 42%)
HWB
hwb(66 10% 26%)
OKLCH
oklch(75.6% 0.168 116.2)
P3
color(display-p3 0.6830 0.7352 0.2533)
HSV
hsv(66, 87%, 74%)
LAB
lab(72.69% -24.06 70.19)
LCH
lch(72.69% 74.20 108.92)
CMYK
cmyk(9%, 0%, 87%, 26%)

Etymology

Ostentatious
adjective

Latin ostentātiōnis, display — adjectival suffix -ous, derived from ostendere (to show). As a color modifier, ostentatious implies a saturated-and-attention-demanding-and-elaborate quality, the bright color of Belle-Époque-and-Gilded-Age showy-luxury-display interior-decoration. Sits at the bright-and-flamboyant end of the grid, parallel to flamboyant and showy in usage.

Limu
noun

The Persian word for lemon — borrowed (like the Arabic laymūn and the Italian limone) from the Sanskrit nimbū. Limu in Persian poetry signals the fresh sourness of limu shirin (Persian lime) and limu omani (dried lime). The color refers to a fresh Persian lime: a saturated, slightly cool yellow with the matte finish of citrus rind. The Persian cousin of lemon.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#abbc19
Original
#cab200
Protanopia
#c8b32d
Deuteranopia
#b7b1a0
Tritanopia
#adadad
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.11:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
9.94:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##ABBC19
Display P3
Display P3
color(display-p3 0.6830 0.7352 0.2533)
P3 has subtle headroomOKLCH chroma 0.168

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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