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Solid Skiff Crimson

#ab1e21
Notes

Solid Skiff Crimson (#AB1E21) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (359°, 70%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ab1e21
RGB
rgb(171, 30, 33)
HSL
hsl(359, 70%, 39%)
HWB
hwb(359 12% 33%)
OKLCH
oklch(48.1% 0.176 26.2)
HSV
hsv(359, 82%, 67%)
LAB
lab(37.30% 54.91 35.91)
LCH
lch(37.30% 65.61 33.19)
CMYK
cmyk(0%, 82%, 81%, 33%)

Etymology

Solid
adjective

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Skiff
modifier

Italian schifo, small-boat. As a color modifier, skiff implies a small-flat-bottomed-rowing-boat quality, the visual register of Cornish-and-Mediterranean-skiff hand-built small-flat-bottomed-rowing-and-sailing skiff-and-dinghy-and-rowboat maritime-architecture surfaces under Cornish-and-Mediterranean small-skiff-and-dinghy harbor-and-fishing light. Sits at the modifier-and-nautical end of the grid, parallel to sloop and hull in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ab1e21
Original
#4c441f
Protanopia
#6e631a
Deuteranopia
#bd0021
Tritanopia
#3c3c3c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.14:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.94:1

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