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Settled Empress

#aaa3d7
Notes

Settled Empress (#AAA3D7) is a soft blue with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (248°, 39%, 74%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary yellow. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aaa3d7
RGB
rgb(170, 163, 215)
HSL
hsl(248, 39%, 74%)
HWB
hwb(248 64% 16%)
OKLCH
oklch(74.0% 0.075 290.6)
P3
color(display-p3 0.6619 0.6402 0.8279)
HSV
hsv(248, 24%, 84%)
LAB
lab(69.22% 13.34 -25.46)
LCH
lch(69.22% 28.74 297.65)
CMYK
cmyk(21%, 24%, 0%, 16%)

Etymology

Settled
adjective

The past participle of settle, to come to rest — used as a color modifier since the seventeenth century for hues that read as stabilized after a process. Settled green, settled brown: moderate saturation combined with optical permanence. Sits at the crisp-bucket alongside steady and composed.

Empress
noun

Latin imperatrix via Old French empereïs — the female sovereign of an empire, particularly the Empress Theodora of Byzantium (sixth century) whose San Vitale mosaic portrait wore the deep-violet Tyrian purple imperial robes. Empress color refers to Theodora's deep-violet imperial robe in the San Vitale mosaic: a saturated, slightly cool deep blue-violet with the matte finish of murex-and-indigo-overdyed Byzantine silk.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aaa3d7
Original
#97aad9
Protanopia
#97a8d6
Deuteranopia
#a1abb5
Tritanopia
#a8a8a8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
2.35:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
8.93:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AAA3D7
Display P3
Display P3
color(display-p3 0.6619 0.6402 0.8279)
Inside sRGBOKLCH chroma 0.075

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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