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Pressed Surkh

#aa6284
Notes

Pressed Surkh (#AA6284) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (332°, 30%, 53%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa6284
RGB
rgb(170, 98, 132)
HSL
hsl(332, 30%, 53%)
HWB
hwb(332 38% 33%)
OKLCH
oklch(58.8% 0.102 351.0)
P3
color(display-p3 0.6281 0.3979 0.5125)
HSV
hsv(332, 42%, 67%)
LAB
lab(50.63% 33.64 -6.21)
LCH
lch(50.63% 34.21 349.55)
CMYK
cmyk(0%, 42%, 22%, 33%)

Etymology

Pressed
adjective

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Surkh
noun

The Persian word for red in its most saturated, formal sense — used in Iranian poetry and miniature painting for the ribbons of court banners, the robes of warriors, and the high-saturation reds of Safavid tile. The color refers to a surkh-dyed Persian carpet: a saturated, slightly cool deep red with the matte finish of plant-dye-on-wool. Deeper than crimson, warmer than burgundy.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa6284
Original
#697185
Protanopia
#7c7d82
Deuteranopia
#b4606e
Tritanopia
#747474
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.79:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA6284
Display P3
Display P3
color(display-p3 0.6281 0.3979 0.5125)
P3 has subtle headroomOKLCH chroma 0.102

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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