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Wellbred Limed Rose

#aa3a7a
Notes

Wellbred Limed Rose (#AA3A7A) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (326°, 49%, 45%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa3a7a
RGB
rgb(170, 58, 122)
HSL
hsl(326, 49%, 45%)
HWB
hwb(326 23% 33%)
OKLCH
oklch(52.7% 0.161 348.7)
P3
color(display-p3 0.6165 0.2583 0.4698)
HSV
hsv(326, 66%, 67%)
LAB
lab(42.73% 51.99 -12.00)
LCH
lch(42.73% 53.35 347.00)
CMYK
cmyk(0%, 66%, 28%, 33%)

Etymology

Wellbred
adjective

Old English wel-brēd, well-bred — past-participle of breed, sharing root with brood (offspring). As a color modifier, wellbred implies a saturated-and-elegant-and-formal quality, the deep-rich color of Edwardian-period finishing-school-and-debutante-Court English-aristocratic livery. Sits at the bold-and-elegant end of the grid, parallel to highborn and patrician.

Limed
modifier

Old English līm, lime. As a color modifier, limed implies a lime-washed-and-whitened quality, the visual register of Andalusian-and-Mediterranean-limewashed hand-limed-and-whitewashed stone-and-stucco-and-timber Andalusian-and-Mediterranean-limewashed surfaces under Andalusian-and-Mediterranean lime-washed-and-whitened light. Sits at the modifier-and-texture end of the grid, parallel to mossed and pitted in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa3a7a
Original
#49587c
Protanopia
#686c77
Deuteranopia
#b63655
Tritanopia
#565656
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.84:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA3A7A
Display P3
Display P3
color(display-p3 0.6165 0.2583 0.4698)
P3 has subtle headroomOKLCH chroma 0.161

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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