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Punchy Wend Violet

#aa2160
Notes

Punchy Wend Violet (#AA2160) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (332°, 67%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa2160
RGB
rgb(170, 33, 96)
HSL
hsl(332, 67%, 40%)
HWB
hwb(332 13% 33%)
OKLCH
oklch(49.5% 0.178 358.7)
P3
color(display-p3 0.6125 0.1830 0.3726)
HSV
hsv(332, 81%, 67%)
LAB
lab(38.69% 57.81 -1.79)
LCH
lch(38.69% 57.84 358.23)
CMYK
cmyk(0%, 81%, 44%, 33%)

Etymology

Punchy
adjective

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Wend
modifier

Old English wendan, to-turn-or-go. As a color modifier, wend implies a winding-and-turning-and-meandered quality, the visual register of pilgrim-path-and-river-wend hand-winding-and-turning-and-meandered pilgrim-path-and-river-and-Roman-road wended-and-winding-and-turning-and-meandered surfaces under pilgrim-path-and-river-and-Roman-road Camino-and-Pennine-Way-and-Kumano hilltop-pilgrim-light. Sits at the modifier-and-mood end of the grid, parallel to drift and roam in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa2160
Original
#414b61
Protanopia
#66645d
Deuteranopia
#b9003e
Tritanopia
#434343
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.78:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.10:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA2160
Display P3
Display P3
color(display-p3 0.6125 0.1830 0.3726)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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