Armored Ophiuchus Crimson

Old French armëure, armor — past-participle of armor, derived from Latin arma (weapons). As a color modifier, armored implies a saturated-and-armor-clad-and-defensive quality, the deep-rich color of medieval-knight full-plate-armor visible-and-formidable battle-presence. Sits at the bold-and-fortified end of the grid, parallel to ironclad and shielded.

Greek Ὀφιοῦχος, serpent-bearer. As a color modifier, ophiuchus implies a serpent-bearer-and-thirteenth-sign-and-Asclepius quality, the visual register of Hellenic-Ophiuchus-and-Asclepius-serpent-bearer hand-serpent-bearer-and-thirteenth-sign-and-Asclepius Hellenic-Ophiuchus-and-Asclepius-serpent-bearer-and-Rod-of-Asclepius ophiuchus-and-serpent-bearer-and-thirteenth-sign surfaces under Hellenic-Ophiuchus-and-Asclepius-serpent-bearer-and-Rod-of-Asclepius autumn-and-November-and-December serpent-bearer-light. Sits at the modifier-and-zodiac end of the grid, parallel to scorpio and sagittarius in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.