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Noble Plasma Violet

#aa185a
Notes

Noble Plasma Violet (#AA185A) is a true magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (333°, 75%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#aa185a
RGB
rgb(170, 24, 90)
HSL
hsl(333, 75%, 38%)
HWB
hwb(333 9% 33%)
OKLCH
oklch(48.7% 0.183 0.7)
P3
color(display-p3 0.6116 0.1608 0.3502)
HSV
hsv(333, 86%, 67%)
LAB
lab(37.73% 59.46 0.63)
LCH
lch(37.73% 59.46 0.61)
CMYK
cmyk(0%, 86%, 47%, 33%)

Etymology

Noble
adjective

Latin nōbilis, well-known / illustrious — sharing root with gnōscere (to know). As a color modifier, noble implies a saturated-and-dignified-and-aristocratic quality, the deep-rich color of pre-modern European noble-class hereditary-aristocratic livery-and-armorial bearings. Sits at the bold-and-aristocratic end of the grid, parallel to aristocratic and highborn in usage.

Plasma
modifier

Greek πλάσμα, something-molded-or-formed. As a color modifier, plasma implies an ionized-and-fourth-state-and-stellar-glow quality, the visual register of solar-corona-and-fluorescent-plasma hand-ionized-and-fourth-state-and-stellar-glow solar-corona-and-fluorescent-and-neon-tube plasma-and-ionized-and-fourth-state surfaces under solar-corona-and-fluorescent-and-neon-tube laboratory-and-stellar-and-aurora ionized-glow-light. Sits at the modifier-and-cosmic end of the grid, parallel to corona and nova in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#aa185a
Original
#3f475b
Protanopia
#666357
Deuteranopia
#b90038
Tritanopia
#3c3c3c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.03:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.99:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##AA185A
Display P3
Display P3
color(display-p3 0.6116 0.1608 0.3502)
P3 has visible headroomOKLCH chroma 0.183

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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