Saturated Mongol Crimson

From the Latin saturatus, past participle of saturare, to fill. A technical color term in modern usage — saturation is one of the three axes of HSL (with hue and lightness). As a modifier, saturated implies that the hue is at or near its maximum chromatic intensity. Sits at the bold-and-bright top of the grid.

Mongolian Mongɣol, Mongol. As a color modifier, mongol implies a steppe-and-Khanate quality, the visual register of Mongol-Khanate-of-Genghis Central-Asian steppe-Empire hand-built ger-and-mounted-cavalry-and-felt-rug-and-Khan-court surfaces under Karakorum-and-Mongolian-steppe Khanate-and-mounted-cavalry open-sky light. Sits at the modifier-and-cultural end of the grid, parallel to tatar and hun in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.