Gladiatorial Pang Violet

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Middle English pang, sudden-sharp-pain. As a color modifier, pang implies a sudden-and-piercing-and-sharp quality, the visual register of Petrarchan-sonnet-and-courtly-love-pang hand-sudden-and-piercing-and-sharp Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric panged-and-sudden-and-piercing-and-sharp surfaces under Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric pierced-and-yearning-and-stricken candlelit-poet-light. Sits at the modifier-and-mood end of the grid, parallel to ache and throb in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.