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Triumphant Knight Crimson

#a92b0d
Notes

Triumphant Knight Crimson (#A92B0D) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (12°, 86%, 36%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a92b0d
RGB
rgb(169, 43, 13)
HSL
hsl(12, 86%, 36%)
HWB
hwb(12 5% 34%)
OKLCH
oklch(48.6% 0.167 33.8)
P3
color(display-p3 0.6102 0.2107 0.1132)
HSV
hsv(12, 92%, 66%)
LAB
lab(38.19% 49.79 46.16)
LCH
lch(38.19% 67.90 42.83)
CMYK
cmyk(0%, 75%, 92%, 34%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Knight
modifier

Old English cniht, young-man / knight. As a color modifier, knight implies a chivalric-and-armored quality, the visual register of English-Plantagenet-and-French-Capetian hand-forged plate-armor-and-shield-and-lance-and-pennant knightly-and-chivalric surfaces under English-Plantagenet-and-French-Capetian chivalric-armored-knight ceremonial-court light. Sits at the modifier-and-cultural end of the grid, parallel to squire and page in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a92b0d
Original
#524805
Protanopia
#716401
Deuteranopia
#bb0026
Tritanopia
#444444
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A92B0D
Display P3
Display P3
color(display-p3 0.6102 0.2107 0.1132)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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