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Practical Neptune Topaz

#a8912c
Notes

Practical Neptune Topaz (#A8912C) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (49°, 58%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a8912c
RGB
rgb(168, 145, 44)
HSL
hsl(49, 58%, 42%)
HWB
hwb(49 17% 34%)
OKLCH
oklch(65.9% 0.119 95.9)
P3
color(display-p3 0.6440 0.5719 0.2481)
HSV
hsv(49, 74%, 66%)
LAB
lab(60.57% -2.45 53.75)
LCH
lch(60.57% 53.80 92.61)
CMYK
cmyk(0%, 14%, 74%, 34%)

Etymology

Practical
adjective

Greek praktikós, practical — adjectival suffix -al. As a color modifier, practical implies a clear-and-purpose-fit-and-everyday quality where the hue carries the visual register of Shaker-and-Quaker utilitarian-and-functional everyday-life craft. Sits at the crisp-and-functional end of the grid, parallel to functional and workmanlike in usage.

Neptune
modifier

Latin Neptunus, Roman-god-of-sea-and-eighth-planet. As a color modifier, neptune implies a Roman-god-of-sea-and-deep-blue-eighth-planet quality, the visual register of Roman-Neptune-and-Voyager-2-deep-blue hand-Roman-god-of-sea-and-deep-blue-eighth-planet Roman-Neptune-and-Voyager-2-deep-blue-and-Trevi-Fountain neptune-and-Roman-god-of-sea surfaces under Roman-Neptune-and-Voyager-2-deep-blue-and-Trevi-Fountain Voyager-2-flyby-and-Trevi-Fountain deep-blue-planet-light. Sits at the modifier-and-zodiac end of the grid, parallel to uranus and saturn in usage.

Topaz
noun

A fluorine aluminum silicate gem, hardness 8 on the Mohs scale, mined for centuries in Ouro Preto, Brazil. Imperial topaz is the prized variety: a warm, slightly pink-shifted gold-orange with the high refractive index of a quality cut stone. Cooler than amber, brighter than honey, with the gem's signature internal fire when held to light. Named for the island of Topazos in the Red Sea, though that source produced peridot instead.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a8912c
Original
#a08e1c
Protanopia
#a69532
Deuteranopia
#b6867d
Tritanopia
#8f8f8f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.11:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.75:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A8912C
Display P3
Display P3
color(display-p3 0.6440 0.5719 0.2481)
P3 has subtle headroomOKLCH chroma 0.119

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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