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Heavy Orbit Brick

#a74426
Notes

Heavy Orbit Brick (#A74426) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (14°, 63%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a74426
RGB
rgb(167, 68, 38)
HSL
hsl(14, 63%, 40%)
HWB
hwb(14 15% 35%)
OKLCH
oklch(51.5% 0.138 37.2)
P3
color(display-p3 0.6081 0.2907 0.1843)
HSV
hsv(14, 77%, 65%)
LAB
lab(41.99% 39.06 37.76)
LCH
lch(41.99% 54.33 44.03)
CMYK
cmyk(0%, 59%, 77%, 35%)

Etymology

Heavy
adjective

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Orbit
modifier

Latin orbita, track-or-wheel-rut. As a color modifier, orbit implies a Keplerian-ellipse-and-circling quality, the visual register of Keplerian-ellipse-and-Newton-Principia-orbit hand-Keplerian-ellipse-and-circling Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit orbit-and-Keplerian-ellipse-and-circling surfaces under Keplerian-ellipse-and-Newton-Principia-and-Tycho-orbit Royal-Society-and-celestial-mechanics 17th-century-observation-light. Sits at the modifier-and-cosmic end of the grid, parallel to axis and parsec in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a74426
Original
#605522
Protanopia
#786b23
Deuteranopia
#b82d3e
Tritanopia
#575757
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.00:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.50:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A74426
Display P3
Display P3
color(display-p3 0.6081 0.2907 0.1843)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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