Rich Lyra violet

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Greek λύρα, lyre-of-Orpheus. As a color modifier, lyra implies a small-summer-constellation-and-Orpheus-lyre quality, the visual register of summer-Lyra-and-Orpheus-lyre hand-small-summer-constellation-and-Orpheus-lyre summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky lyra-and-small-summer-constellation-and-Orpheus-lyre surfaces under summer-Lyra-and-Orpheus-lyre-and-Bortle-1-sky July-and-August-summer-zenith ring-nebula-and-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to vega and cygnus in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.