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Punchy Prowl Rose

#a63653
Notes

Punchy Prowl Rose (#A63653) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (344°, 51%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a63653
RGB
rgb(166, 54, 83)
HSL
hsl(344, 51%, 43%)
HWB
hwb(344 21% 35%)
OKLCH
oklch(50.3% 0.148 8.6)
P3
color(display-p3 0.6014 0.2435 0.3281)
HSV
hsv(344, 67%, 65%)
LAB
lab(40.20% 48.09 8.51)
LCH
lch(40.20% 48.83 10.04)
CMYK
cmyk(0%, 67%, 50%, 35%)

Etymology

Punchy
adjective

A modern adjectival form of punch, to strike sharply. Used as a color word since the early twentieth century for hues that read as highly contrasting and visually loud. Punchy red, punchy yellow: the implication is full saturation combined with optical impact. Sits across the bold and bright buckets, near vivid and striking.

Prowl
modifier

Middle English prollen, to-roam-and-search. As a color modifier, prowl implies a stalking-and-hunting-and-watchful quality, the visual register of panther-and-tiger-prowl hand-stalking-and-hunting-and-watchful panther-and-tiger-and-leopard prowled-and-stalking-and-hunting-and-watchful surfaces under panther-and-tiger-and-leopard jungle-and-savanna-and-night-forest big-cat-light. Sits at the modifier-and-mood end of the grid, parallel to stalk and lurk in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a63653
Original
#4f5154
Protanopia
#6d6750
Deuteranopia
#b52341
Tritanopia
#505050
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.27:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A63653
Display P3
Display P3
color(display-p3 0.6014 0.2435 0.3281)
P3 has subtle headroomOKLCH chroma 0.148

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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