Rich Salve violet

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Latin salve, hail-or-be-well. As a color modifier, salve implies a Latin-greeting-and-Salve-Regina-and-Roman-salute quality, the visual register of Salve-Regina-and-Pompeii-salve hand-Latin-greeting-and-Salve-Regina-and-Roman-salute Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic salve-and-Latin-greeting surfaces under Salve-Regina-and-Pompeii-salve-and-Roman-doormat-mosaic Pompeian-mosaic-and-Marian-antiphon Roman-greeting-light. Sits at the modifier-and-Latin end of the grid, parallel to ave and pax in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.