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Lined Cape Mint

#a5fac2
Notes

Lined Cape Mint (#A5FAC2) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (140°, 89%, 81%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a5fac2
RGB
rgb(165, 250, 194)
HSL
hsl(140, 89%, 81%)
HWB
hwb(140 65% 2%)
OKLCH
oklch(91.6% 0.113 154.7)
P3
color(display-p3 0.7215 0.9717 0.7778)
HSV
hsv(140, 34%, 98%)
LAB
lab(91.80% -37.09 18.87)
LCH
lch(91.80% 41.62 153.04)
CMYK
cmyk(34%, 0%, 22%, 2%)

Etymology

Lined
adjective

Old English līne, line / cord — past-participle of line. As a color modifier, lined implies a clear-and-coordinated-and-supported quality where the hue carries the visual register of carefully-lined-and-supported textile-or-print surface. Sits at the crisp-and-finished end of the grid, parallel to trim and coordinated in usage.

Cape
modifier

Latin cappa, hooded-cloak. As a color modifier, cape implies a hooded-cloak-and-shoulder-cape quality, the visual register of Spanish-capa-and-Italian-cappa-magna hand-hooded-cloak-and-shoulder-cape Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa cape-and-hooded-cloak-and-shoulder-cape surfaces under Spanish-capa-and-Italian-cappa-magna-and-Portuguese-capa Iberian-and-Italian-Renaissance Iberian-cape-light. Sits at the modifier-and-textile end of the grid, parallel to cloak and cope in usage.

Mint
noun

The genus Mentha — peppermint, spearmint, apple mint, water mint — the cooling herb whose menthol gives it that quality at the molecular level. The color refers to fresh peppermint leaves before drying: a clean, slightly cool green with the matte finish of trichome-rich leaf surface. Lighter than basil, cooler than parsley, with the mojito-and-Pimm's association of a herb tied to summer drinks across two continents.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a5fac2
Original
#faedbf
Protanopia
#ece4c5
Deuteranopia
#95f8ea
Tritanopia
#e4e4e4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.23:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
17.05:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A5FAC2
Display P3
Display P3
color(display-p3 0.7215 0.9717 0.7778)
P3 has subtle headroomOKLCH chroma 0.113

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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