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Plotted Tied Verdigris

#a5e7bb
Notes

Plotted Tied Verdigris (#A5E7BB) is a soft green with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (140°, 58%, 78%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary magenta. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a5e7bb
RGB
rgb(165, 231, 187)
HSL
hsl(140, 58%, 78%)
HWB
hwb(140 65% 9%)
OKLCH
oklch(87.2% 0.090 154.9)
P3
color(display-p3 0.7023 0.8988 0.7463)
HSV
hsv(140, 29%, 91%)
LAB
lab(86.37% -29.57 14.87)
LCH
lch(86.37% 33.10 153.30)
CMYK
cmyk(29%, 0%, 19%, 9%)

Etymology

Plotted
adjective

Old English plot, small piece of ground — past-participle of plot. As a color modifier, plotted implies a clear-and-coordinate-mapped quality, the crisp color of Cartesian-and-graph-paper coordinate-plotted scientific-and-engineering data-visualization plot-line. Sits at the crisp-and-mapped end of the grid, parallel to mapped and surveyed in usage.

Tied
modifier

Old English tīgan, to-tie or to-bind. As a color modifier, tied implies a hand-tied-and-knotted quality, the visual register of hand-tied-and-knotted-rope-and-string hand-tied-and-knotted-fishing-net-and-shoelace-and-bow hand-tied-and-knotted-rope-and-cord surfaces under hand-tied-and-knotted-rope-and-cord working-light. Sits at the modifier-and-texture end of the grid, parallel to sewn and knot in usage.

Verdigris
noun

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a5e7bb
Original
#e7ddb9
Protanopia
#dcd5bd
Deuteranopia
#9ae6db
Tritanopia
#d6d6d6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.42:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.75:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A5E7BB
Display P3
Display P3
color(display-p3 0.7023 0.8988 0.7463)
P3 has subtle headroomOKLCH chroma 0.090

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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