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Solid Wend Rose

#a53870
Notes

Solid Wend Rose (#A53870) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (329°, 49%, 43%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a53870
RGB
rgb(165, 56, 112)
HSL
hsl(329, 49%, 43%)
HWB
hwb(329 22% 35%)
OKLCH
oklch(51.3% 0.154 352.1)
P3
color(display-p3 0.5982 0.2496 0.4325)
HSV
hsv(329, 66%, 65%)
LAB
lab(41.22% 50.06 -8.19)
LCH
lch(41.22% 50.73 350.71)
CMYK
cmyk(0%, 66%, 32%, 35%)

Etymology

Solid
adjective

Latin solidus, firm, dense — used as a color modifier since the seventeenth century for hues that read as continuous and unbroken: a solid blue is one with no variation across the surface. Implies high saturation combined with optical density. Sits in the bold-bucket alongside strong and robust, slightly more focused on uniformity.

Wend
modifier

Old English wendan, to-turn-or-go. As a color modifier, wend implies a winding-and-turning-and-meandered quality, the visual register of pilgrim-path-and-river-wend hand-winding-and-turning-and-meandered pilgrim-path-and-river-and-Roman-road wended-and-winding-and-turning-and-meandered surfaces under pilgrim-path-and-river-and-Roman-road Camino-and-Pennine-Way-and-Kumano hilltop-pilgrim-light. Sits at the modifier-and-mood end of the grid, parallel to drift and roam in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a53870
Original
#495572
Protanopia
#67686d
Deuteranopia
#b1314f
Tritanopia
#535353
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.40:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A53870
Display P3
Display P3
color(display-p3 0.5982 0.2496 0.4325)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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