Spick Sol Verdigris

Old Norse spik-spakr, spike-new — sharing root with spic-and-span. As a color modifier, spick implies a clear-and-newly-cleaned quality where the hue carries the just-polished visual register of fresh-painted-and-fresh-cleaned surfaces. Sits at the crisp-and-clean end of the grid, parallel to spotless and pristine in usage.

Latin sol, sun-and-Roman-sun-god. As a color modifier, sol implies a Roman-sun-god-and-stellar-disc quality, the visual register of Roman-Sol-Invictus-and-Apollo-sun hand-Roman-sun-god-and-stellar-disc Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot sol-and-Roman-sun-god-and-stellar-disc surfaces under Roman-Sol-Invictus-and-Apollo-sun-and-Helios-chariot December-25-and-Helios-and-quadriga noon-stellar-disc-light. Sits at the modifier-and-zodiac end of the grid, parallel to luna and terra in usage.

The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.