Lordly Freya Violet

Old English hlāford-līc, lord-like — adjectival suffix -ly. As a color modifier, lordly implies a saturated-and-aristocratic-and-haughty quality, the deep-rich color of pre-modern English-and-French manorial-aristocracy livery and hereditary-estate household-textile. Sits at the bold-and-aristocratic end of the grid, parallel to princely and patrician.

Old Norse Freyja, goddess-of-love-and-Vanir. As a color modifier, freya implies a Vanir-goddess-and-feathered-cloak-and-Brísingamen quality, the visual register of Norse-Freya-and-Vanir-goddess hand-Vanir-goddess-and-feathered-cloak-and-Brísingamen Norse-Freya-and-Vanir-goddess-and-Brísingamen-amber-necklace freya-and-Vanir-goddess-and-feathered-cloak surfaces under Norse-Freya-and-Vanir-goddess-and-Brísingamen-amber-necklace Folkvang-and-Sessrúmnir-and-cat-drawn-chariot amber-necklace-light. Sits at the modifier-and-myth end of the grid, parallel to odin and vala in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.