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Organized Endive

#a2d278
Notes

Organized Endive (#A2D278) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (92°, 50%, 65%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a2d278
RGB
rgb(162, 210, 120)
HSL
hsl(92, 50%, 65%)
HWB
hwb(92 47% 18%)
OKLCH
oklch(80.9% 0.129 131.7)
P3
color(display-p3 0.6738 0.8182 0.5105)
HSV
hsv(92, 43%, 82%)
LAB
lab(79.12% -31.16 39.55)
LCH
lch(79.12% 50.35 128.23)
CMYK
cmyk(23%, 0%, 43%, 18%)

Etymology

Organized
adjective

Greek órganon, instrument / tool — past-participle of organize. As a color modifier, organized implies a clear-and-coordinated-and-systematic quality where the hue carries the visual register of well-coordinated-and-classified arrangement. Sits at the crisp-and-orderly end of the grid, parallel to orderly and methodical in usage.

Endive
noun

Cichorium endivia, the slightly bitter European chicory cultivated as a salad green since Egyptian times. The color refers to the inner leaves of a head of curly endive or escarole: a soft, slightly yellow-shifted green with the matte finish of dewy lettuce. Lighter than lime, more chromatic than celery, with the cool-weather association of late-fall greenhouse production.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a2d278
Original
#d9c671
Protanopia
#d2c37d
Deuteranopia
#a4cbbc
Tritanopia
#c1c1c1
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.75:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.03:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A2D278
Display P3
Display P3
color(display-p3 0.6738 0.8182 0.5105)
P3 has subtle headroomOKLCH chroma 0.129

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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