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Wan Carmesí

#a28b8a
Notes

Wan Carmesí (#A28B8A) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 11%, 59%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a28b8a
RGB
rgb(162, 139, 138)
HSL
hsl(2, 11%, 59%)
HWB
hwb(2 54% 36%)
OKLCH
oklch(65.7% 0.028 20.8)
P3
color(display-p3 0.6205 0.5484 0.5432)
HSV
hsv(2, 15%, 64%)
LAB
lab(59.87% 8.48 3.74)
LCH
lch(59.87% 9.27 23.80)
CMYK
cmyk(0%, 14%, 15%, 36%)

Etymology

Wan
adjective

Old English wann, dark / gloomy (semantic shift to pale by Middle English). As a color modifier, wan implies a pale-and-drained-of-vitality quality where the hue carries the visual register of Edwardian-period pale-and-faintly-tinted dimmed lighting interior color. Sits at the pale-and-drained end of the grid, parallel to pallid and pasty in usage.

Carmesí
noun

The Spanish word for crimson — borrowed via Arabic qirmiz (the kermes scale insect) and used in the deep red textiles of medieval Castilian and Valencian silk. The color refers to a carmesí-dyed Castilian silk: a saturated, slightly cool deep red with the satin finish of plant-and-insect dye. The Spanish cousin of crimson, slightly more formal in register.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a28b8a
Original
#8f8e8a
Protanopia
#94928a
Deuteranopia
#a7898b
Tritanopia
#909090
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.60:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A28B8A
Display P3
Display P3
color(display-p3 0.6205 0.5484 0.5432)
Inside sRGBOKLCH chroma 0.028

This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.

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