Pulsing Ravenna
Pulsing Ravenna (#A287E1) is a soft indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (258°, 60%, 71%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The progressive participle of pulse, to throb. Used as a color modifier for hues that read as if they were alternating between two states of luminance — the vibration of a high-saturation color against a contrasting background. Sits in the bright-bucket center alongside electric, with the implication of optical motion rather than static luminance.
Italian late-Roman / early-Byzantine capital (5th–8th centuries) — home of the San Vitale and Sant'Apollinare in Classe basilicas with their iconic deep-blue glass-tessera mosaic vaults. Ravenna color refers to the deep-blue glass-tessera background of San Vitale's Justinian and Theodora mosaic: a saturated, slightly cool deep blue-violet with the glossy finish of Byzantine cobalt-glass tessera under raking light.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.