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Stately Lull Violet

#a25cf4
Notes

Stately Lull Violet (#A25CF4) is a true indigo with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (268°, 87%, 66%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a25cf4
RGB
rgb(162, 92, 244)
HSL
hsl(268, 87%, 66%)
HWB
hwb(268 36% 4%)
OKLCH
oklch(62.7% 0.219 301.5)
P3
color(display-p3 0.5980 0.3741 0.9249)
HSV
hsv(268, 62%, 96%)
LAB
lab(53.89% 57.33 -65.76)
LCH
lch(53.89% 87.25 311.08)
CMYK
cmyk(34%, 62%, 0%, 4%)

Etymology

Stately
adjective

An adjectival form of state, condition of dignity. Used as a color modifier since the seventeenth century for the deep saturated jewel tones of formal ceremony — the deep blue of a robes-of-state, the deep red of a state-banquet velvet. Sits in the bold-and-formal corner alongside imperial and royal, with slightly less institutional weight.

Lull
modifier

Middle English lullen, to-sing-to-sleep. As a color modifier, lull implies a hushed-and-pacified-and-cradled quality, the visual register of cradle-song-and-vesper-lull hand-cradled-and-rocked cradle-and-cot-and-crib hand-rocked-and-sung-to-lulled-and-cradled lulled-and-cradled surfaces under cradle-song-and-vesper hush-and-quiet-and-still bedside-and-nursery-light. Sits at the modifier-and-mood end of the grid, parallel to hush and soothe in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a25cf4
Original
#0080f9
Protanopia
#2580f1
Deuteranopia
#917da0
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.91:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.37:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A25CF4
Display P3
Display P3
color(display-p3 0.5980 0.3741 0.9249)
P3 has visible headroomOKLCH chroma 0.219

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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