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Sumptuous Ignis Crimson

#a22763
Notes

Sumptuous Ignis Crimson (#A22763) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (331°, 61%, 39%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a22763
RGB
rgb(162, 39, 99)
HSL
hsl(331, 61%, 39%)
HWB
hwb(331 15% 36%)
OKLCH
oklch(48.7% 0.167 355.7)
P3
color(display-p3 0.5845 0.1951 0.3830)
HSV
hsv(331, 76%, 64%)
LAB
lab(37.91% 54.13 -5.03)
LCH
lch(37.91% 54.37 354.69)
CMYK
cmyk(0%, 76%, 39%, 36%)

Etymology

Sumptuous
adjective

Latin sūmptuōsus, expensive — derived from sūmptus (expense). As a color modifier, sumptuous implies a saturated-and-rich-and-luxurious quality, the deep-rich color of Burgundy-and-Champagne-Court late-medieval silk-and-velvet livery in the Très-Riches-Heures manuscript tradition. Sits at the bold-and-saturated end of the grid, parallel to opulent and lavish.

Ignis
modifier

Latin ignis, fire. As a color modifier, ignis implies a Latin-fire-and-ignis-fatuus-and-sacred-fire quality, the visual register of Vestal-fire-and-ignis-fatuus hand-Latin-fire-and-ignis-fatuus-and-sacred-fire Vestal-fire-and-ignis-fatuus-and-Roman-Vesta-temple ignis-and-Latin-fire-and-Vestal-flame surfaces under Vestal-fire-and-ignis-fatuus-and-Roman-Vesta-temple Vestal-Virgin-and-Forum-Romanum sacred-flame-light. Sits at the modifier-and-Latin end of the grid, parallel to lux and ventus in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a22763
Original
#404b65
Protanopia
#626160
Deuteranopia
#af1841
Tritanopia
#454545
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.98:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.01:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A22763
Display P3
Display P3
color(display-p3 0.5845 0.1951 0.3830)
P3 has subtle headroomOKLCH chroma 0.167

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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