Holographic Stole Kelly

Greek hólos (whole) and graphé (writing) — adjectival suffix -ic. As a color modifier, holographic implies a saturated-and-multi-angle-shifting quality, the bright color of holographic-credit-card and trading-card dichroic-film 3D-image-reflection. Sits at the bright-and-shifting end of the grid, parallel to iridescent and prismatic in usage.

Latin stola, Roman-women's-and-priestly-robe. As a color modifier, stole implies a Roman-women's-and-priestly-robe quality, the visual register of Roman-stola-and-Catholic-priestly-stole hand-Roman-women's-and-priestly-robe Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet stole-and-Roman-women's-and-priestly-robe surfaces under Roman-stola-and-Catholic-priestly-stole-and-Anglican-tippet Republican-Rome-and-Catholic-Mass-and-Anglican-Vespers Roman-and-Mass-light. Sits at the modifier-and-textile end of the grid, parallel to cope and robe in usage.

A bright yellow-green named for the Irish surname Kelly, common enough by the late nineteenth century to stand in for generic Irish in American slang. The color is the saturated, optically bright green of a Saint Patrick's Day parade: cleaner than shamrock, brighter than fern, with the pop-culture weight of a color used annually for green beer, green carnations, and the Chicago River.