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Buzzing Tampopo

#a19608
Notes

Buzzing Tampopo (#A19608) is a deep yellow with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (56°, 91%, 33%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a19608
RGB
rgb(161, 150, 8)
HSL
hsl(56, 91%, 33%)
HWB
hwb(56 3% 37%)
OKLCH
oklch(66.2% 0.138 104.3)
P3
color(display-p3 0.6240 0.5897 0.1910)
HSV
hsv(56, 95%, 63%)
LAB
lab(61.14% -9.39 63.57)
LCH
lch(61.14% 64.26 98.40)
CMYK
cmyk(0%, 7%, 95%, 37%)

Etymology

Buzzing
adjective

The progressive participle of buzz — borrowed metaphorically as a color word since the late twentieth century for hues that read as visually loud and slightly destabilizing. Buzzing yellow, buzzing magenta: the implication is saturation pushed past comfortable into the realm of optical agitation. Sits at the bright-bucket extreme alongside electric.

Tampopo
noun

The Japanese word for dandelionTaraxacum officinale, the cosmopolitan composite-family wildflower whose bright yellow heads dot Japanese spring lawns. Tampopo is also the title of a 1985 Itami Jūzō film about a ramen quest. The color refers to a fresh tampopo bloom: a saturated, slightly red yellow with the matte finish of small ray-florets.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a19608
Original
#a59000
Protanopia
#a8961b
Deuteranopia
#ae8b7f
Tritanopia
#8e8e8e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.05:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A19608
Display P3
Display P3
color(display-p3 0.6240 0.5897 0.1910)
P3 has subtle headroomOKLCH chroma 0.138

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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