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Victorious Brindisi

#a1379c
Notes

Victorious Brindisi (#A1379C) is a true violet with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (303°, 49%, 42%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a1379c
RGB
rgb(161, 55, 156)
HSL
hsl(303, 49%, 42%)
HWB
hwb(303 22% 37%)
OKLCH
oklch(52.7% 0.183 329.8)
P3
color(display-p3 0.5838 0.2447 0.5940)
HSV
hsv(303, 66%, 63%)
LAB
lab(42.33% 55.89 -33.43)
LCH
lch(42.33% 65.13 329.12)
CMYK
cmyk(0%, 66%, 3%, 37%)

Etymology

Victorious
adjective

Latin victōriōsus, of victory — derived from victor (winner). As a color modifier, victorious implies a saturated-and-celebratory-and-conquering quality, the deep-rich color of Roman-Imperial victory-procession purpura-dyed paludamentum cloak. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and conquering.

Brindisi
noun

Italian Adriatic port city — once the Roman Brundisium, terminus of the Via Appia, and a major Phoenician-and-Roman purpura shellfish-dye production center. Brindisi color refers to a Brindisi-dyed Roman toga praetexta with its purple-edged border: a saturated, slightly cool deep violet with the matte finish of multi-bath murex-shellfish dye on multi-rolled woolen toga fabric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a1379c
Original
#2d5b9f
Protanopia
#546999
Deuteranopia
#a74365
Tritanopia
#555555
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.54:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A1379C
Display P3
Display P3
color(display-p3 0.5838 0.2447 0.5940)
P3 has visible headroomOKLCH chroma 0.183

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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