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Praetorian Mauve

#a132c5
Notes

Praetorian Mauve (#A132C5) is a true violet with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (285°, 60%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a132c5
RGB
rgb(161, 50, 197)
HSL
hsl(285, 60%, 48%)
HWB
hwb(285 20% 23%)
OKLCH
oklch(54.7% 0.224 316.3)
P3
color(display-p3 0.5828 0.2284 0.7463)
HSV
hsv(285, 75%, 77%)
LAB
lab(44.08% 65.27 -54.86)
LCH
lch(44.08% 85.26 319.96)
CMYK
cmyk(18%, 75%, 0%, 23%)

Etymology

Praetorian
adjective

Latin praetōriānus, of the praetor — adjectival suffix, referring to the Roman-Imperial elite guard-cohorts. As a color modifier, praetorian implies a saturated-and-elite-and-imperial-guard quality, the deep-rich color of Roman-Praetorian-Guard elite-imperial-bodyguard scarlet-tunic-and-bronze-armor military-formation. Sits at the bold-and-formal end of the grid, parallel to spartan and imperial.

Mauve
noun

The first synthetic aniline dye — an accidental product of William Perkin's 1856 attempt to synthesize quinine, which yielded a stable purple instead. Mauve (French for mallow) became the chemical-industry breakthrough that reshaped textile coloring. The color refers to a freshly mauve-dyed silk: a soft, slightly red-shifted pale purple with the slight luster of synthetic-dyed natural fiber. Lighter than violet, warmer than lilac, with the industrial-history weight of the pigment that founded modern chemistry.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a132c5
Original
#0062c9
Protanopia
#316bc2
Deuteranopia
#9f527a
Tritanopia
#545454
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.56:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.78:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A132C5
Display P3
Display P3
color(display-p3 0.5828 0.2284 0.7463)
P3 has visible headroomOKLCH chroma 0.224

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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