Neat Corona Verdigris
Neat Corona Verdigris (#A0E6D3) is a soft teal with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (164°, 58%, 76%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old French net, clean / pure — sharing root with Latin nitidus. As a color modifier, neat implies a clear-and-orderly quality where the hue carries the well-arranged visual register without clutter or excess. Sits at the crisp-and-orderly end of the grid, parallel to trim and tidy in usage.
Latin corona, crown-or-circle-of-light. As a color modifier, corona implies a sun-corona-and-eclipse-halo quality, the visual register of total-solar-eclipse-corona hand-sun-corona-and-eclipse-halo total-solar-eclipse-and-Sun-corona-and-Bailey's-Beads corona-and-sun-corona-and-eclipse-halo surfaces under total-solar-eclipse-and-Sun-corona-and-Bailey's-Beads totality-and-Moon-shadow-and-pearl ring-of-fire-light. Sits at the modifier-and-cosmic end of the grid, parallel to prism and nebula in usage.
The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.