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Plain Toltec Moss

#a0da88
Notes

Plain Toltec Moss (#A0DA88) is a true green with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (102°, 53%, 69%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary violet. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a0da88
RGB
rgb(160, 218, 136)
HSL
hsl(102, 53%, 69%)
HWB
hwb(102 53% 15%)
OKLCH
oklch(82.9% 0.125 136.9)
P3
color(display-p3 0.6753 0.8486 0.5666)
HSV
hsv(102, 38%, 85%)
LAB
lab(81.51% -33.47 34.55)
LCH
lch(81.51% 48.10 134.09)
CMYK
cmyk(27%, 0%, 38%, 15%)

Etymology

Plain
adjective

Latin planus, flat, level — used as a color modifier since the medieval period for hues that read as undecorated and direct. Plain white, plain blue: moderate saturation, no shift, no surface effect. Sits in the crisp-bucket center, with the implication of restraint rather than absence.

Toltec
modifier

Nahuatl Tolteca, Toltec. As a color modifier, toltec implies a Tula-and-Mesoamerican quality, the visual register of Toltec-civilization-of-Tula post-Classic Mesoamerican hand-carved Atlantean-warrior-and-feathered-serpent stone-monumental surfaces under Tula-Hidalgo-and-Chichen-Itza post-Classic Mesoamerican high-altitude light. Sits at the modifier-and-cultural end of the grid, parallel to aztec and olmec in usage.

Moss
noun

Bryophyta — the nonvascular plants that colonized land 470 million years ago, before vascular plants and far before flowers. The color refers to a thick mat of Hypnum or sphagnum on a temperate forest floor: a soft, slightly yellow-shifted green with the velvet texture of millimeter-scale leaves. Dustier than fern, deeper than lichen, with the slow patience of a plant that lives by absorbing rain through its surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a0da88
Original
#dfce82
Protanopia
#d7c98d
Deuteranopia
#9ed4c5
Tritanopia
#c8c8c8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.63:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.88:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A0DA88
Display P3
Display P3
color(display-p3 0.6753 0.8486 0.5666)
P3 has subtle headroomOKLCH chroma 0.125

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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