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Invigorating Ares Goldenrod

#a0c63f
Notes

Invigorating Ares Goldenrod (#A0C63F) is a true lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (77°, 54%, 51%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#a0c63f
RGB
rgb(160, 198, 63)
HSL
hsl(77, 54%, 51%)
HWB
hwb(77 25% 22%)
OKLCH
oklch(77.3% 0.165 123.9)
P3
color(display-p3 0.6572 0.7721 0.3356)
HSV
hsv(77, 68%, 78%)
LAB
lab(74.96% -31.70 60.59)
LCH
lch(74.96% 68.38 117.62)
CMYK
cmyk(19%, 0%, 68%, 22%)

Etymology

Invigorating
adjective

Latin vigor, vigor — present-participle of invigorate, sharing root with vigil (watchfulness). As a color modifier, invigorating implies a saturated-and-life-giving-and-energizing quality where the hue increases visual-and-physical vitality. Sits at the bright-and-active end of the grid, parallel to stimulating and bracing in usage.

Ares
modifier

Greek Ἄρης, god-of-war. As a color modifier, ares implies a war-god-and-iron-and-blood quality, the visual register of Olympian-Ares-and-Spartan-temple-Ares hand-war-god-and-iron-and-blood Olympian-Ares-and-Spartan-temple-and-Areopagus ares-and-war-god-and-iron-and-blood surfaces under Olympian-Ares-and-Spartan-temple-and-Areopagus Athenian-Acropolis-and-rocky-outcrop war-god-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and atlas in usage.

Goldenrod
noun

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#a0c63f
Original
#d1ba2b
Protanopia
#ccb84a
Deuteranopia
#a8bcab
Tritanopia
#b4b4b4
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
10.64:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##A0C63F
Display P3
Display P3
color(display-p3 0.6572 0.7721 0.3356)
P3 has subtle headroomOKLCH chroma 0.165

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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