Heavy Sprite Violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Latin spiritus, spirit-or-elf. As a color modifier, sprite implies a fairy-elf-and-quick-and-impish quality, the visual register of English-folk-sprite-and-Shakespearean-Puck hand-fairy-elf-and-quick-and-impish English-folk-sprite-and-Shakespearean-Puck-and-Midsummer-Night sprite-and-fairy-elf-and-quick-and-impish surfaces under English-folk-sprite-and-Shakespearean-Puck-and-Midsummer-Night greenwood-and-elven-meadow fairy-revel-light. Sits at the modifier-and-myth end of the grid, parallel to pixie and faun in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.