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Triumphant Pang Violet

#9f49f0
Notes

Triumphant Pang Violet (#9F49F0) is a true indigo with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (271°, 85%, 61%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary lime. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9f49f0
RGB
rgb(159, 73, 240)
HSL
hsl(271, 85%, 61%)
HWB
hwb(271 29% 6%)
OKLCH
oklch(59.8% 0.238 303.4)
P3
color(display-p3 0.5811 0.3054 0.9084)
HSV
hsv(271, 70%, 94%)
LAB
lab(50.01% 64.77 -69.82)
LCH
lch(50.01% 95.23 312.85)
CMYK
cmyk(34%, 70%, 0%, 6%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Pang
modifier

Middle English pang, sudden-sharp-pain. As a color modifier, pang implies a sudden-and-piercing-and-sharp quality, the visual register of Petrarchan-sonnet-and-courtly-love-pang hand-sudden-and-piercing-and-sharp Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric panged-and-sudden-and-piercing-and-sharp surfaces under Petrarchan-sonnet-and-courtly-love-and-troubadour-lyric pierced-and-yearning-and-stricken candlelit-poet-light. Sits at the modifier-and-mood end of the grid, parallel to ache and throb in usage.

Violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9f49f0
Original
#0075f5
Protanopia
#0077ed
Deuteranopia
#8f7098
Tritanopia
#676767
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
4.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
4.69:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9F49F0
Display P3
Display P3
color(display-p3 0.5811 0.3054 0.9084)
P3 has visible headroomOKLCH chroma 0.238

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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