Conquering Ares Violet

Latin conquīrere, to seek thoroughly — present-participle of conquer. As a color modifier, conquering implies a saturated-and-overwhelming-and-victorious quality where the hue overcomes neighboring colors through pure pigmentation strength. Sits at the bold-and-celebratory end of the grid, parallel to triumphant and dominant.

Greek Ἄρης, god-of-war. As a color modifier, ares implies a war-god-and-iron-and-blood quality, the visual register of Olympian-Ares-and-Spartan-temple-Ares hand-war-god-and-iron-and-blood Olympian-Ares-and-Spartan-temple-and-Areopagus ares-and-war-god-and-iron-and-blood surfaces under Olympian-Ares-and-Spartan-temple-and-Areopagus Athenian-Acropolis-and-rocky-outcrop war-god-light. Sits at the modifier-and-myth end of the grid, parallel to zeus and atlas in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.