Heavy Mossed violet

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old English mos, moss. As a color modifier, mossed implies a moss-covered-and-aged quality, the visual register of English-and-Welsh-mossed-and-lichen-covered moss-and-lichen-covered stone-and-tree-and-cobble mossed-and-lichen-covered surfaces under English-and-Welsh moss-and-lichen-covered atmospheric light. Sits at the modifier-and-texture end of the grid, parallel to pitted and limed in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.