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Spartan Plasma violet

#9f056b
Notes

Spartan Plasma violet (#9F056B) is a deep magenta with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (320°, 94%, 32%) places it in the highly saturated band at a dark lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9f056b
RGB
rgb(159, 5, 107)
HSL
hsl(320, 94%, 32%)
HWB
hwb(320 2% 38%)
OKLCH
oklch(46.6% 0.193 348.7)
P3
color(display-p3 0.5707 0.1176 0.4099)
HSV
hsv(320, 97%, 62%)
LAB
lab(35.09% 61.54 -14.42)
LCH
lch(35.09% 63.21 346.81)
CMYK
cmyk(0%, 97%, 33%, 38%)

Etymology

Spartan
adjective

Greek Spartiátēs, of Sparta — adjectival suffix referring to the Lacedaemonian warrior city. As a color modifier, spartan implies a saturated-and-disciplined-and-formal quality, the deep-rich color of Spartan-hoplite military-class crimson-and-bronze armor-and-cloak. Sits at the bold-and-formal end of the grid, parallel to austere and stern in tone.

Plasma
modifier

Greek πλάσμα, something-molded-or-formed. As a color modifier, plasma implies an ionized-and-fourth-state-and-stellar-glow quality, the visual register of solar-corona-and-fluorescent-plasma hand-ionized-and-fourth-state-and-stellar-glow solar-corona-and-fluorescent-and-neon-tube plasma-and-ionized-and-fourth-state surfaces under solar-corona-and-fluorescent-and-neon-tube laboratory-and-stellar-and-aurora ionized-glow-light. Sits at the modifier-and-cosmic end of the grid, parallel to corona and nova in usage.

violet
noun

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9f056b
Original
#2b436d
Protanopia
#575b68
Deuteranopia
#ab003d
Tritanopia
#2d2d2d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.75:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.71:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9F056B
Display P3
Display P3
color(display-p3 0.5707 0.1176 0.4099)
P3 has visible headroomOKLCH chroma 0.193

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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