Pressed Merlon Sky

Latin pressāre, to press — past-participle of press. As a color modifier, pressed implies a clear-and-smoothed-and-flattened quality, the crisp color of Mid-Century-Modern freshly-pressed-shirt-and-trouser ironed-textile finish. Sits at the crisp-and-finished end of the grid, parallel to ironed and starched in usage.

Italian merlone, battlement-tooth. As a color modifier, merlon implies a castle-battlement-tooth-between-crenels quality, the visual register of medieval-castle-battlement hand-cut merlon-and-crenel-castle-battlement tooth-and-notch-pattern fortification-architecture surfaces under medieval-castle-battlement defensive light. Sits at the modifier-and-architecture end of the grid, parallel to crenel and keep in usage.

The blue of a clear sky at noon — produced by Rayleigh scattering, the preferential dispersion of shorter wavelengths through atmospheric molecules. Air itself is colorless; the color we see is sunlight scattered toward our eyes by every cubic kilometer above. The reference shade is mid-latitude noon under a high pressure system: a clean, slightly green-shifted blue with the luminous depth of light scattered across an entire hemisphere of air.