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Established Creep Brick

#9e3c26
Notes

Established Creep Brick (#9E3C26) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (11°, 61%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9e3c26
RGB
rgb(158, 60, 38)
HSL
hsl(11, 61%, 38%)
HWB
hwb(11 15% 38%)
OKLCH
oklch(48.9% 0.136 34.2)
P3
color(display-p3 0.5742 0.2602 0.1784)
HSV
hsv(11, 76%, 62%)
LAB
lab(38.97% 39.52 34.10)
LCH
lch(38.97% 52.19 40.79)
CMYK
cmyk(0%, 62%, 76%, 38%)

Etymology

Established
adjective

Latin stabilīre, to make stable — past-participle of establish. As a color modifier, established implies a saturated-and-rooted quality where the hue carries the weight of long-standing visual presence. Sits at the bold-and-firm end of the grid, parallel to steadfast and anchored in usage.

Creep
modifier

Old English crēopan, to-move-slowly. As a color modifier, creep implies a slow-stealthy-and-spreading quality, the visual register of ivy-on-wall-and-mist-creep hand-slow-stealthy-and-spreading ivy-on-wall-and-mist-creep-and-spreading-shadow crept-and-slow-stealthy-and-spreading surfaces under ivy-on-wall-and-mist-creep-and-spreading-shadow ruined-cloister-and-river-valley-and-evening-meadow encroaching-light. Sits at the modifier-and-mood end of the grid, parallel to lurk and prowl in usage.

Brick
noun

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9e3c26
Original
#574e23
Protanopia
#6f6423
Deuteranopia
#ae2537
Tritanopia
#4f4f4f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.71:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.13:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9E3C26
Display P3
Display P3
color(display-p3 0.5742 0.2602 0.1784)
P3 has subtle headroomOKLCH chroma 0.136

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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