Drafted Canary
Drafted Canary (#9D8F20) is a true amber with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (53°, 66%, 37%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English draht, draft — past-participle of draft. As a color modifier, drafted implies a clear-and-line-and-measured quality, the crisp color of Mid-Century-Modern hand-drafted architectural-and-engineering studio-drawing precision-tool-rendered lines. Sits at the crisp-and-incised end of the grid, parallel to drawn and plotted in usage.
The domesticated Serinus canaria, bred in the Canary Islands and exported to European cages from the seventeenth century. The wild bird is greenish; centuries of selective breeding produced the saturated yellow of the modern canary. The color is the breast feathers of a yellow domestic canary: a clean, bright yellow with the slight orange shift of carotenoid pigment in feathers, identical chemistry to the carotenes in flamingo plumage.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.