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Refreshing Suo

#9d5d80
Notes

Refreshing Suo (#9D5D80) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (327°, 26%, 49%) places it in the muted band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9d5d80
RGB
rgb(157, 93, 128)
HSL
hsl(327, 26%, 49%)
HWB
hwb(327 36% 38%)
OKLCH
oklch(56.1% 0.095 346.6)
P3
color(display-p3 0.5809 0.3765 0.4959)
HSV
hsv(327, 41%, 62%)
LAB
lab(47.70% 31.11 -8.37)
LCH
lch(47.70% 32.22 344.95)
CMYK
cmyk(0%, 41%, 18%, 38%)

Etymology

Refreshing
adjective

Old French refreschir, to make fresh again — present-participle of refresh. As a color modifier, refreshing implies a clear-and-cool-and-revitalizing quality, the crisp color of Cornish-coast and Hebridean-island fresh-sea-air-and-cool-water revitalization. Sits at the crisp-and-cool end of the grid, parallel to fresh and bracing in usage.

Suo
noun

Japanese 蘇芳, sappan-wood dye (Caesalpinia sappan) — derived from a Southeast Asian tree's heartwood, imported to Japan since the Nara period (710–794) for dyeing court robes a deep red-purple. Suo color refers to a suo-dyed Heian-period silk kinu: a saturated, slightly cool deep magenta with the silk luster of multi-bath sappan-wood dye on tussah silk. Distinct from akane (madder) and beni (safflower).

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9d5d80
Original
#626b81
Protanopia
#72757e
Deuteranopia
#a55c6a
Tritanopia
#6d6d6d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.87:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9D5D80
Display P3
Display P3
color(display-p3 0.5809 0.3765 0.4959)
P3 has subtle headroomOKLCH chroma 0.095

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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