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Triumphant Nymph Crimson

#9d3155
Notes

Triumphant Nymph Crimson (#9D3155) is a true red with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (340°, 52%, 40%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9d3155
RGB
rgb(157, 49, 85)
HSL
hsl(340, 52%, 40%)
HWB
hwb(340 19% 38%)
OKLCH
oklch(48.3% 0.145 4.0)
P3
color(display-p3 0.5683 0.2234 0.3331)
HSV
hsv(340, 69%, 62%)
LAB
lab(37.88% 47.48 3.73)
LCH
lch(37.88% 47.62 4.49)
CMYK
cmyk(0%, 69%, 46%, 38%)

Etymology

Triumphant
adjective

Latin triumphāns, celebrating victory — present-participle of triumphāre. As a color modifier, triumphant implies a saturated-and-celebratory-and-victorious quality, the deep-rich color of Roman-Imperial-period triumphal-arch spolia relief and Arch-of-Titus victory imagery. Sits at the bold-and-celebratory end of the grid, parallel to victorious and conquering.

Nymph
modifier

Greek νύμφη, nature-spirit-and-young-bride. As a color modifier, nymph implies a nature-spirit-and-grove-and-spring quality, the visual register of Hellenic-nymph-and-grove-and-spring hand-nature-spirit-and-grove-and-spring Hellenic-nymph-and-grove-and-spring-and-Arcadian-pastoral nymph-and-nature-spirit-and-grove surfaces under Hellenic-nymph-and-grove-and-spring-and-Arcadian-pastoral Mediterranean-grove-and-stream dappled-grove-light. Sits at the modifier-and-myth end of the grid, parallel to dryad and nereid in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9d3155
Original
#484c56
Protanopia
#656152
Deuteranopia
#ab213f
Tritanopia
#4b4b4b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.99:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.00:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9D3155
Display P3
Display P3
color(display-p3 0.5683 0.2234 0.3331)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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