Smoldering Dryad violet

The progressive participle of smolder, to burn slowly without flame. Used as a color word since the late nineteenth century for the deep reds and oranges of barely-flame coal — the warm saturated darks where the heat is internal rather than emitted. Sits in the bold-and-warm corner, slightly less luminous than burning and slightly less calm than rich.

Greek δρυάς, oak-tree-nymph. As a color modifier, dryad implies an oak-tree-nymph-and-grove-spirit quality, the visual register of Hellenic-dryad-and-oak-grove-nymph hand-oak-tree-nymph-and-grove-spirit Hellenic-dryad-and-oak-grove-nymph-and-Arcadian-grove dryad-and-oak-tree-nymph-and-grove-spirit surfaces under Hellenic-dryad-and-oak-grove-nymph-and-Arcadian-grove Dodona-oak-and-sacred-grove tree-nymph-light. Sits at the modifier-and-myth end of the grid, parallel to nymph and nereid in usage.

Viola odorata, the European sweet violet — small, fragrant, and the original meaning of the color name in English (the Violet of the rainbow). The color refers to a fresh sweet violet blossom in late winter: a saturated, slightly red-shifted deep blue-purple with the matte finish of small five-petaled flower. Cooler than amethyst, warmer than indigo, with the perfumed weight of a flower used in Roman garlands and Victorian eau de toilette.