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Hardy Sleet Crimson

#9b3028
Notes

Hardy Sleet Crimson (#9B3028) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (4°, 59%, 38%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9b3028
RGB
rgb(155, 48, 40)
HSL
hsl(4, 59%, 38%)
HWB
hwb(4 16% 39%)
OKLCH
oklch(46.9% 0.144 28.2)
HSV
hsv(4, 74%, 61%)
LAB
lab(36.44% 43.93 29.99)
LCH
lch(36.44% 53.19 34.32)
CMYK
cmyk(0%, 69%, 74%, 39%)

Etymology

Hardy
adjective

Old French hardi, bold / brave — past-participle of hardir (to make brave). As a color modifier, hardy implies a saturated-and-cold-resistant quality, the deep-rich color of Scandinavian-and-Russian boreal-forest-and-tundra outdoor-clothing. Sits at the bold-and-resilient end of the grid, parallel to tough and resilient.

Sleet
modifier

Middle English slete, icy-rain-or-snow-rain-mix. As a color modifier, sleet implies an icy-rain-and-half-frozen-and-driven quality, the visual register of North-Sea-and-Yorkshire-Moors-sleet hand-icy-rain-and-half-frozen-and-driven North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass sleet-and-icy-rain-and-half-frozen surfaces under North-Sea-and-Yorkshire-Moors-sleet-and-Pennine-pass Yorkshire-Moors-and-Pennine-Way-and-Cleveland-Hills North-Sea-front-light. Sits at the modifier-and-weather end of the grid, parallel to hail and rime in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9b3028
Original
#4e4726
Protanopia
#695e24
Deuteranopia
#ab0f2f
Tritanopia
#464646
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.38:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.85:1

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