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Bulky Aquarius Crimson

#9a3564
Notes

Bulky Aquarius Crimson (#9A3564) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (332°, 49%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#9a3564
RGB
rgb(154, 53, 100)
HSL
hsl(332, 49%, 41%)
HWB
hwb(332 21% 40%)
OKLCH
oklch(48.8% 0.143 354.9)
P3
color(display-p3 0.5584 0.2352 0.3873)
HSV
hsv(332, 66%, 60%)
LAB
lab(38.44% 46.50 -5.02)
LCH
lch(38.44% 46.77 353.84)
CMYK
cmyk(0%, 66%, 35%, 40%)

Etymology

Bulky
adjective

Old Norse búlki, cargo / mass — adjectival suffix -y. As a color modifier, bulky implies a saturated-and-massive-and-occupying quality where the hue takes up visual space with broad-and-heavy presence. Sits at the bold-and-weighty end of the grid, parallel to hefty and substantial in usage.

Aquarius
modifier

Latin aquarius, water-bearer-of-the-zodiac. As a color modifier, aquarius implies a water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air quality, the visual register of Hellenic-Aquarius-and-Ganymede-water-bearer hand-water-bearer-and-air-sign-and-Saturn-Uranus-ruled-fixed-air Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer aquarius-and-water-bearer-and-air-sign surfaces under Hellenic-Aquarius-and-Ganymede-water-bearer-and-cup-bearer mid-winter-and-January-and-February fixed-air-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to pisces and capricorn in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#9a3564
Original
#464f65
Protanopia
#616162
Deuteranopia
#a62d48
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.85:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.07:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##9A3564
Display P3
Display P3
color(display-p3 0.5584 0.2352 0.3873)
P3 has subtle headroomOKLCH chroma 0.143

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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