Cool Organza
Cool Organza (#99A29B) is a balanced neutral with a mono character. It's a grayscale value, at home in typography, dividers, and the structural layer beneath stronger colors. Its HSL profile (133°, 5%, 62%) places it in the muted band at a mid lightness. It works well as secondary text, borders, and placeholder states. A reliable middle gray that reads cleanly in either light or dark contexts. Pair it with almost any saturated accent. It's built to sit underneath or behind stronger colors without fighting them.
Etymology
Old English cōl, of low temperature — used as a color modifier as the complement to warm. Cool gray, cool blue: the optical impression of a slight blue-green shift, even within otherwise warm or neutral hues. Sits across the crisp, hushed, pale, and neutral buckets.
Italian Organzino, fine-twisted-silk — the pale-cool-pale-gray-and-white fine-silk-cloth of pre-modern Italian-and-French-textile manufacture, particularly the Lyon-and-Florence-organza tradition. Organza color refers to a freshly hand-loomed Lyon-period organza in raking light: a pale cool gray with the silky finish of fine-spun-and-hand-loomed twisted-silk with the characteristic organza-pattern stiff-and-translucent-weave.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
This color has effectively no chroma (OKLCH C = 0.014) — it’s on the grayscale axis. Hue rotations don’t change a grayscale color, so complementary, analogous, triadic, and split-complementary all reduce to the same value. They aren’t shown because four identical tiles would be misleading.
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.
Wide gamut
The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.
This color sits well within the sRGB cube. P3 and sRGB share the gray axis and most desaturated tones, so a P3 display renders this identically to an sRGB display.