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Indomitable Eave Rose

#99365c
Notes

Indomitable Eave Rose (#99365C) is a true magenta with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (337°, 48%, 41%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#99365c
RGB
rgb(153, 54, 92)
HSL
hsl(337, 48%, 41%)
HWB
hwb(337 21% 40%)
OKLCH
oklch(48.5% 0.137 359.8)
P3
color(display-p3 0.5550 0.2381 0.3584)
HSV
hsv(337, 65%, 60%)
LAB
lab(38.17% 44.79 -0.38)
LCH
lch(38.17% 44.79 359.51)
CMYK
cmyk(0%, 65%, 40%, 40%)

Etymology

Indomitable
adjective

Latin indomitābilis, unconquerable — derived from domāre (to tame). As a color modifier, indomitable implies a saturated-and-unconquerable-and-fierce quality where the hue resists any attempt to subdue or modulate its presence. Sits at the bold-and-resilient end of the grid, parallel to unyielding and adamant.

Eave
modifier

Old English efes, roof-edge. As a color modifier, eave implies a roof-overhang-and-edge quality, the visual register of Japanese-engawa-and-English-eave hand-built roof-overhang-and-edge eave-and-fascia-and-soffit architectural surfaces under Japanese-and-English eave-edge filtered light. Sits at the modifier-and-architecture end of the grid, parallel to gable and frieze in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#99365c
Original
#484e5d
Protanopia
#63615a
Deuteranopia
#a52c45
Tritanopia
#4e4e4e
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.92:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.04:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##99365C
Display P3
Display P3
color(display-p3 0.5550 0.2381 0.3584)
P3 has subtle headroomOKLCH chroma 0.137

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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